Zbyněk Baladrán – The Jevons Paradox

27. 11. 2025

Zbyněk Baladrán, The Jevons Paradox (III.), UV tisk na karton, 67x50cm, 2020, Courtesy of the artist
Zbyněk Baladrán, The Jevons Paradox (III.), UV tisk na karton, 67x50cm, 2020, Courtesy of the artist

In the year 2025, the Jevons paradox is a lived reality. It no longer surprises us that even artificial intelligence does not lead to any slowing down, but instead further accelerates our performance. Yet, or perhaps precisely because of this, the work of Zbyněk Baladrán deserves attention. It contributes to an understanding of the reality of late capitalism by looking back to the 19th century, while also demonstrating how modes of interpretation are conditioned by specific historical and geopolitical contexts.

In 1865, this was a highly controversial topic: William Jevons first described how technological progress—specifically the increased efficiency of steam engines—did not lead to a decrease in coal consumption but, paradoxically, to an increase. In his work The Jevons Paradox, Zbyněk Baladrán uses this principle to describe the history of industrial civilisation and to reveal the power interests concealed beneath seemingly neutral systems of labelling. Through the example of standardised colour charts, he shows how nomenclature is rooted in imperialist history and how the normed classification—intended to facilitate communication—simultaneously reflects power hierarchies. The abbreviation RAL, a global standard for colour classification in coatings, references in its name the German “Reich Committee for Terms of Delivery” (Reichs-Ausschuss für Lieferbedingungen), as Baladrán points out in his accompanying text. He also notes that in Central European countries during state socialism, parallel national nomenclatures existed until the hegemony of RAL ultimately prevailed.

The Jevons Paradox consists of five large-format prints mounted on a structure made of black slats. Each corresponds to one of five black-and-white photographs of North Bohemian lignite basins found in an antiquarian bookshop.

Hana Buddeus

works at the Institute of Art History of the Czech Academy of Sciences, where she is a member of the Photography Research Center. She also recently joined the curatorial collective of the Fotograf Gallery.

Zbyněk Baladrán

is a visual artist, curator, and exhibition architect. His work addresses the contradictions of the contemporary world and explores how art and artistic practice can be used to understand them. In 2001, he co-founded Display – Association for Research and Collective Practice.